
On check-in the previous day, guests were told there would be a Q&A session ahead of the concert and given slips on which to submit their questions. So a little after 8.30pm, Lee took to the stage in front of a packed entertainment lounge, and with his usual charm and cheeky humour answered a series of questions put to him by Littlecote host, Dan, or sometimes by the originator of the question when Dan took his roving mic into the audience.
The questions, spanning his whole career, included:
- what motivated him to get into the business - 'if I'm completely honest, the women', but then he found he both enjoyed and had a talent for it and pursued it more seriously;
- how he chooses the songs for his albums and tours - 'carefully', it's a slow and thoughtful process to find the right songs;
- his impression of Andrew Lloyd Webber - 'a very attractive man', adding 'genius' to that assessment when the laughter faded, saying what an honour it had been to work so closely with him;
- music or acting - 'both, please', although focusing on the acting for now, he hopes he will always be able to balance that with performing and recording

- his next album (due for release late this year or early next) is likely to be a collection of classic MGM Musical showtunes, some of which we have heard at recent concerts, and he is in talks with Tudor Davies (who directed him in Robin Hood last Christmas) to direct the associated tour;
- he reached the final audition for Chris in the new West End production of Miss Saigon which opens next month and it looked like he would be offered the role, but then came the call from Oliver Kent, Executive Producer on Casualty, and his career took a new path;
- and it's a path he's thoroughly enjoying - his initial contract is for a year but it seems he wouldn't be averse to extending it if the opportunity arises.
I have included the full setlist here.
It was a show full of passion and power, warmth and wit and was received with great enthusiasm by the assembled Warners guests, many of whom had never seen him sing live before and ended the evening wanting to see him again.
The heat of the lights and a week of night shoots for Casualty put a rough edge on Lee's usually silky-smooth tones but this detracted nothing from his performance, the rawness giving an intensity to 'Bring Him Home' which made it one of the most powerfully emotional versions I've ever heard.
Finally, a few more photographs from this wonderful evening - click on any to view the full Gallery:




Last updated: 13 April 2014