
Wind forward four months and that first show is now behind us, its soundtrack still playing in my head, bringing a beaming smile to my face at the most random moments. With 'celebrating the very best talent of musical theatre' as their stated aim, Westway Music could not have asked for a better start to this year's Sessions, nor Lee for his own 2025 The Best Of Me tour kicking off in May. The reviews are glowing (read them here) and I offer my own unashamedly biased thoughts on the evening not so much as a review but a fan view...
I've started to write this several times and each time life has got in the way ... so it's now over a week later and while the immediate buzz has calmed (I wouldn't have slept if not!), the memories are as vivid as ever. For me, they start a few hours pre-show... rounding up a few friends on route to London, arriving early enough to enjoy a bite to eat as we catch up on each other's news. Other friends stopping at our table to say hello in passing - it was very reminiscent of the 'Joseph days', over fifteen years ago now, when it was impossible to eat anywhere within a half-mile radius of the Adelphi, without bumping into fellow fans.

Arguably the defining moment of the entire competition, that performance launched Lee on a path that led not only to winning the role of Joseph, which he played to packed houses for 18 months, to ongoing stage success in the West End and around the country, to TV roles including Casualty and Holby City's much-loved Lofty Chiltern, but also to this moment (and many before it)... where he takes to the stage not in character but as himself, backed by a brilliant band, and delivers a delicious blend of musical theatre classics and contemporary hits with the same passion and exquisite story-telling that made that first Paint It Black so special. I'd have included 'vocal prowess' in that list, but I can't in all honesty claim that to be the same as it was back in 2007... no, as good as it was then, it is better now - in range, in power, in tone and expression - just sublime.
I love the balance of this show, it really is The Best Of Lee - the first half taking us from its dramatic opening to an equally iconic close - Close Every Door in fact - via new (for Lee) songs Walking In Memphis, An Englishman In New York and stunning versions of Will Young's All Time Love and George Michael's A Different Corner (which features on Lee's The Best of Me EP), a return to his roots with a Grease medley in tribute to schoolboy Lee's first role in a musical - the lead of course - accessorised with leather jacket, shades and full T-Bird attitude, coming back up to date with a wonderfully over-the-top, wild-eyed Seven Seas of Rhye from his 2023 turn as We Will Rock You's Khashoggi (his first baddie role, I can only hope there'll be more!), with nods too to possible future roles with From Now On from The Greatest Showman and Bring Him Home from Les Misérables - the former finally lands on a UK stage in Spring 2026, while the latter remains firmly on my personal wishlist.

I'll refrain from listing the entire setlist, which you can see for yourself here, to talk instead of his surprise guest... landing that morning from holiday in Barbados to find a message from Lee checking she was still good to join him later, his good friend Brenda Edwards, co-star from Chicago (very briefly, until a broken ankle intervened), panto in Wimbledon and We Will Rock You, brings jetlag, sass and her incredible vocals to the party as she joins Lee for a fabulous reprise of their We will Rock You duet A Kinda Magic, following that with the wonderfully apt Get Here (If You Can).

I have mentioned in passing Lee's band but they deserve far more attention. Brilliant musicians one and all, they play with passion and supreme skill and while I might disagree a tad with Lee's oft-claimed 'without them I'd be nothing', I agree wholeheartedly that with them, the show is taken to another level! They are Adam Dennis - MD and keys, George Millard - woodwind, Tim Rose - guitar, Dan Francis Owen - bass and Jonathan Atkinson - drums. Thanks too to Simon Jayes - drum tech and Andy Johnson - sound engineer and no doubt countless others who worked behind the scenes to bring this show to the stage.
I only raised my camera twice the whole night - as borne out by the meagre offerings above - however an official photographer was present and Elliot Franks' excellent photos are available to view (and purchase!) here. I particularly like the Danny Zuko section!
The Westway Sessions continue with Olivier Award winner Cassidy Janson (Beautiful: The Carole King Musical, & Juliet) on 7 April, Kerry Ellis (Wicked, We Will Rock You) with her much talked about show Queen of the West End on 21 April, and Aimie Atkinson (SIX, Pretty Woman) returning to the West End to perform songs from her new album, as well as career-defining hits, on 23 June. Tickets here.
Lee's full concert and events schedule (including past appearances) is at CONCERT & LIVE EVENTS
Published: 18/11/2024; last updated: 20/03/2025